π1οΈβ£I Was a Teenage Lead Singer! The Early '70s Brimstone Saga (with Approximate Setlist)
The first in the "Summer Hot-Some Are Chill" PAID-ONLY SERIES! Influenced by many, I hit the boards armed with a mic and a flute.
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βCan you sing?β
Drummer Mike Wishnow had been appointed to approach me to see if Iβd be willing to audition. Brimstone, the 5-piece band he founded, was wanting, if not needing, a lead singer. They had been switching off singing duties among themselves, but they wanted a front man.
We had βopen lunch,β so seeing long-haired hippies playing acoustic guitars on the lawn just outside the building wasnβt unusual. With my long, thin, blond hair, I was playing my newly-learned flute with one of those guitar players that particular noon, in what Iβm guessing was 1970 or so, in my sophomore year at Houstonβs Bellaire High School.
I turned 15 in March 1970.
What follows is a retrospective video, perusing the 1973 Carillion, the yearbook in my senior year. You neednβt ask: Of course, none of my pictures made the video. Too bad, too: Besides my senior pic, I made it into one posed group shot: I was Music and Entertainment Editor of The Three Penny Press daily newspaper (really a mimeographed two-sided, long sheet with school news). We sold each one for 3 cents. The TPP actually made it, however briefly, into another article hereβ¦this one:
Curtis Haynes was the Editor, and Sally Carpenter and Rick Shafer were βstringers.β One of the things that made our time together so much fun in putting together the TPP, was our love of The Dick Van Dyke Show (which aired on CBS-TV from 1960-β65)!

Weβd constantly quote from it, and try to recreate, even, some of our favorite scenes during our writing and editing. Hey, we were writers, too, just like the fictitious staff of Rob, Sally, and Buddy as they wrote for The Alan Brady Show! Rick was usually the βBuddyβ of the staff, and Sally, of course, was βSally,β and I didnβt mind βsettlingβ for the βRobβ part, as Curtis put up with our shenanigans as the crusty, but kindly Mel Cooley/producer part!
For our staff photo for the yearbook, we went to a local A&W drive-in (similar to Sonic these days) to pose as β50s greaser-types, replete with leather jackets, jeans, and slicked-back hair! I specifically wanted to ape this pose of Roxy Musicβs Bryan Ferry, circa β72. So, while everyone else on the TPP staff was smiling pretty for the camera, I turned my greased head to the left, and with a borrowed leather jacket, did my best to look like this:
But, a video-produced, and informative of-the-era overview is here, and I recognize several friends (and remember their names); plus, itβs all done to the Room 222 theme song, an unexpected bonus!:
βYeah, I guess so.β Mike wasnβt deterred by my less-than-confident reply, so he invited me to audition within the next day or so. Brimstone already had a bit of a following, having existed for several months before I came aboard.
I remember we jammed on some old blues standards for my audition. This upper-middle-class suburban white boy didnβt much know his way around the blues standards quite yet, but I performed admirably, earnestly professing to βtake the train on down the line,β βcause βoh, she done me wrongβ!
Not sure if there was anyone else in the running, but I βgot the partβ!
Brimstone
David Harris: lead guitar (long, thick, dirty-blond hair, musically experimental, became my best friend, was studying geology in Wyoming, last I heard, in mid-β70s)
Mike Tyler: rhythm guitar (the quiet one)
David Robbins: bass (long, black hair; the handsome one)
Kevin Chesser: Hammond B-3 organ (with Leslie speaker; good sense of humor)
Mike Wishnow: drums (tremendous build with broad shoulders, large arms from weight lifting and drumming; dad was Houston optometrist, Dr. I.C. Wishnowβ¦yep, you heard me rightβ¦those initials for an eye doctor!)
The Setlist
I had over a dozen songs to learn right off the bat, which wasnβt a problem. I had a good ear, and a gift for song and melody memory. Most of our repertoire were radio hits, anyway (if not AM, then certainly FM). This list is as complete as my memory can make it, and Iβve attempted an approximate possible setlist order (at least in the Playlist itself):
Emerson, Lake & Palmer βLucky Manβ (I played Emersonβs synth solo on flute) Chicago βColour My World,β Led Zeppelin βStairway to Heaven,β Rolling Stones βAngie,β Brownsville Station βSmokinβ in the Boyβs Room,β Chuck Berry βJohnny B. Goode,β Jethro Tull βCross-Eyed Mary,β James Gang, βWalk Away,β and Eagles βWitchy Woman.β
It was a match that was beneficial for both parties: Brimstone already had gigs lined up around Houston, being an already upβnβrunning band, and I was just what they neededβ¦a musically adept quick-learner!
Overall, each member was a serviceable musician at the very worst, and a couple were well above average. I donβt believe any became a professional musician, ultimately, but I literally heard nothing from any of them after 1973 graduation!
The PR Machine Begins to Crank
As Dad (being an ad sales exec for CBS Radioβs local affiliates, KTRH-AM and KLOL-FM) was bringing home new, weekly releases from Warner Bros. Records, and their attendant, bi-monthly in-house PR promo piece, Circular (about which more can be read by clicking here), I came across an ad I thought we could βliftβ!
Warners was using a tag line for something or other in β71, βGrow Bigger Ears!β with a stock photo of an older doctor, replete with clipboard and stethoscope (this isnβt it, but a close enough approximation):
So, shamelessly lifting that line (and particular doctor), I had flyers run off that we could hand out and hang up, so we did! At the top of the flyer (and above the doctor), it said, βDr. Brimstone says, βGrow Bigger Ears!β with Mikeβs phone number at the bottom (he was acting as our booking agent as well as drummer)!
Meanwhile, Half-a-Century Laterβ¦.
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