๐1๏ธโฃI Was a Teenage Lead Singer! The Early '70s Brimstone Saga (with Approximate Setlist)
The first in the "Summer Hot-Some Are Chill" PAID-ONLY SERIES! Influenced by many, I hit the boards armed with a mic and a flute.
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โCan you sing?โ
Drummer Mike Wishnow had been appointed to approach me to see if Iโd be willing to audition. Brimstone, the 5-piece band he founded, was wanting, if not needing, a lead singer. They had been switching off singing duties among themselves, but they wanted a front man.
We had โopen lunch,โ so seeing long-haired hippies playing acoustic guitars on the lawn just outside the building wasnโt unusual. With my long, thin, blond hair, I was playing my newly-learned flute with one of those guitar players that particular noon, in what Iโm guessing was 1970 or so, in my sophomore year at Houstonโs Bellaire High School.
I turned 15 in March 1970.
What follows is a retrospective video, perusing the 1973 Carillion, the yearbook in my senior year. You neednโt ask: Of course, none of my pictures made the video. Too bad, too: Besides my senior pic, I made it into one posed group shot: I was Music and Entertainment Editor of The Three Penny Press daily newspaper (really a mimeographed two-sided, long sheet with school news). We sold each one for 3 cents. The TPP actually made it, however briefly, into another article hereโฆthis one:
Curtis Haynes was the Editor, and Sally Carpenter and Rick Shafer were โstringers.โ One of the things that made our time together so much fun in putting together the TPP, was our love of The Dick Van Dyke Show (which aired on CBS-TV from 1960-โ65)!

Weโd constantly quote from it, and try to recreate, even, some of our favorite scenes during our writing and editing. Hey, we were writers, too, just like the fictitious staff of Rob, Sally, and Buddy as they wrote for The Alan Brady Show! Rick was usually the โBuddyโ of the staff, and Sally, of course, was โSally,โ and I didnโt mind โsettlingโ for the โRobโ part, as Curtis put up with our shenanigans as the crusty, but kindly Mel Cooley/producer part!
For our staff photo for the yearbook, we went to a local A&W drive-in (similar to Sonic these days) to pose as โ50s greaser-types, replete with leather jackets, jeans, and slicked-back hair! I specifically wanted to ape this pose of Roxy Musicโs Bryan Ferry, circa โ72. So, while everyone else on the TPP staff was smiling pretty for the camera, I turned my greased head to the left, and with a borrowed leather jacket, did my best to look like this:
But, a video-produced, and informative of-the-era overview is here, and I recognize several friends (and remember their names); plus, itโs all done to the Room 222 theme song, an unexpected bonus!:
โYeah, I guess so.โ Mike wasnโt deterred by my less-than-confident reply, so he invited me to audition within the next day or so. Brimstone already had a bit of a following, having existed for several months before I came aboard.
I remember we jammed on some old blues standards for my audition. This upper-middle-class suburban white boy didnโt much know his way around the blues standards quite yet, but I performed admirably, earnestly professing to โtake the train on down the line,โ โcause โoh, she done me wrongโ!
Not sure if there was anyone else in the running, but I โgot the partโ!
Brimstone
David Harris: lead guitar (long, thick, dirty-blond hair, musically experimental, became my best friend, was studying geology in Wyoming, last I heard, in mid-โ70s)
Mike Tyler: rhythm guitar (the quiet one)
David Robbins: bass (long, black hair; the handsome one)
Kevin Chesser: Hammond B-3 organ (with Leslie speaker; good sense of humor)
Mike Wishnow: drums (tremendous build with broad shoulders, large arms from weight lifting and drumming; dad was Houston optometrist, Dr. I.C. Wishnowโฆyep, you heard me rightโฆthose initials for an eye doctor!)
The Setlist
I had over a dozen songs to learn right off the bat, which wasnโt a problem. I had a good ear, and a gift for song and melody memory. Most of our repertoire were radio hits, anyway (if not AM, then certainly FM). This list is as complete as my memory can make it, and Iโve attempted an approximate possible setlist order (at least in the Playlist itself):
Emerson, Lake & Palmer โLucky Manโ (I played Emersonโs synth solo on flute) Chicago โColour My World,โ Led Zeppelin โStairway to Heaven,โ Rolling Stones โAngie,โ Brownsville Station โSmokinโ in the Boyโs Room,โ Chuck Berry โJohnny B. Goode,โ Jethro Tull โCross-Eyed Mary,โ James Gang, โWalk Away,โ and Eagles โWitchy Woman.โ
It was a match that was beneficial for both parties: Brimstone already had gigs lined up around Houston, being an already upโnโrunning band, and I was just what they neededโฆa musically adept quick-learner!
Overall, each member was a serviceable musician at the very worst, and a couple were well above average. I donโt believe any became a professional musician, ultimately, but I literally heard nothing from any of them after 1973 graduation!
The PR Machine Begins to Crank
As Dad (being an ad sales exec for CBS Radioโs local affiliates, KTRH-AM and KLOL-FM) was bringing home new, weekly releases from Warner Bros. Records, and their attendant, bi-monthly in-house PR promo piece, Circular (about which more can be read by clicking here), I came across an ad I thought we could โliftโ!
Warners was using a tag line for something or other in โ71, โGrow Bigger Ears!โ with a stock photo of an older doctor, replete with clipboard and stethoscope (this isnโt it, but a close enough approximation):
So, shamelessly lifting that line (and particular doctor), I had flyers run off that we could hand out and hang up, so we did! At the top of the flyer (and above the doctor), it said, โDr. Brimstone says, โGrow Bigger Ears!โ with Mikeโs phone number at the bottom (he was acting as our booking agent as well as drummer)!
Meanwhile, Half-a-Century Laterโฆ.
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