đ2ď¸âŁ"An Evening with John Wilkes Booth": My Brother & "The Brady Bunch" Producer
How the guy who used to beat me up when we were kids wrote and portrayed the unlikely role of his lifetime....and, how I was never more proud. PART 2ď¸âŁ OF THE "SUMMER HOT-SOME ARE CHILL" PAID SERIES!

The Man Who Would Be Booth

Pre-Production Notes
Clint was born May 1, 1954âŚwith a full head of dark brown hair, Mom used to recall fondly. Bald as the proverbial cue ball (which would soon enough turn into fuzzy and blond), I was born some 46 weeks later! Mom used to say she âfound out what caused it and stoppedâ!
All of which means that, every year, Clint and I were the same ageâŚ.for six weeks! On March 18, Iâd have my birthday, and six weeks later, on May 1, Clint would then jump up a digit! It was wildâŚ.in those six weeks, if someone asked our ages, weâd of course, say the same number and try to convince whomever that we, indeed, were twinsâŚand, of course, we looked nothing alike! We wouldnât have even passed for fraternal twins!
Because we were so close in age, neither one of us could settle into our âtypical rolesâ as âlittle brotherâ and âbig brother.â We would have needed a couple more yearsâ separation for him to feel protective and the other things big bros are supposed to be; and, those years wouldâve helped me feel, too, like he was someone I could turn to when, say, bullies would threaten. Instead, âthe bully was inside the house.â
Stories about baby Clint biting me in the back as we sat in our shared crib were oft-recounted family stories during many Holiday seasons. Thankfully, we each had our separate rooms (with locks on the doors) in our suburban southwest Houston home. My locked-door room played a huge part in my music enjoyment for many years, as I could listen, in peace, to all the promo albums my radio-employed Dad brought home just for me from the mid-â60s through early-â70s!
If Clint had been as interested in music as I (and he wasnât), those records wouldâve been just one more thing over which weâd invariably fight! (âNuh uh! YOU got the last Beatles album! This oneâs mine!â ad infinitum). Mercifully, all that was avoided by his being far more involved in sports than I.
This recounting of Clintâs creation of a gripping production of a 19th-century scoundrel and his heinous deed is the story of what I think was the highlight of his professional life. And, this is the letter to him Iâve probably been meaning to write for decades.
Clint passed away unexpectedly in February 2018.
But, FirstâŚ..Stand-Up
After his â72 high school graduation (and a brief foray into commodities brokerage), Clint became interested in either a stand-up comedy or acting career, or both, if the stars so aligned. He even took dance and movement lessons at the Swayze School of Dance from Patsy Swayze, fellow Houstonian, Patrick Swayzeâs mom (shown below, both with son, Patrick):
Clint also managed to get some gigs at local clubs for occasional stand-up dates. He and I collaborated on his material, while longtime entertainment booking agent Mom, helped him get some club dates, as well!
While I was Music Director (with a daily 3-6pm soft-rock shift) at the University of Houstonâs FM radio station KUHF in 1975, Clint secured a weekly, taped interview show that I was more than happy to produce. Radio-seasoned Dad did the voice-over intro to the show, over intro music I selected. He kept most, if not all the reels of his shows.
Memory can pull out some of the names we interviewedâŚsome were by phone, but the vast majority were celebs who were appearing in Houston for shows and what-not, and theyâd drop by the station for an hour for the interview. It took some work to find their âpeopleâ to secure their appearances, but without the internet, we managed:
Boxer George Foreman (long before his Grill!), Ed McMahon (by phone), comedian Robert Klein, Gunilla Knutson (the Noxzema âTake it offâ girl from TV commercials), band singer Anita OâDay, Houston Oilers quarterback Dan Pastorini, and many others:











