Tune Tag #47 with Jared the Curator: Carpenters, Kenny Rankin, Harlem Shakes, Buzzcocks, Kenny Rogers, Barry Manilow
Wow! Barry and the Buzzcocks! Two Kenny R's! Harlem Shakes?đMake mine strawberry! The mind boggles at the possibilities in this Tune Tag, and Jared the Curator doesn't disappoint!
Then, Tune Tag, it is! Welcome, Jared!
Tune Tag welcomes of The Wax Museum!
Jared Smith curates The Wax Museum on Substack, and created Vinyl on Sale, the Internetâs #1 vinyl deal finder. His mission is to elevate the quantity and quality of your record collection. A passionate physical media advocate, Jared is always on the hunt for the next great sound!
Last week, we were graced by the musical presence of of RockânâRoll With Me!
Next week, we can expect fun galore from from Song of the Day!
Jaredâs song #1 sent to Brad: Harlem Shakes, âStrictly Game,â 2009
Jaredâs rationale: There was something magical in the water back in 2009. Within months, the music gods blessed us with Dirty Projectorsâ Bitte Orca, Animal Collectiveâs Merriweather Post Pavilion, Phoenixâs Wolfgang Amadeus Phoenix, Yeah Yeah Yeahsâ Itâs Blitz!, Grizzly Bearâs Veckatimest, and Passion Pitâs Manners.
This was the âblog rock eraââa carefree time for me in college running my own MP3 blog, Too Good For Radio (RIP). Writing about music and hitting up showsâwhat could be better?
One of those shows was Vampire Weekend, with Brooklynâs Harlem Shakes opening. After that show, I became their unofficial hype man, convinced they were the next big thing. Spoiler alert: I was wrong.
Their debut album, Technicolor Health, dropped in March 2009, and by September, the band had called it quits! Listening to this record now is like finding an old love letterâitâs a bittersweet reminder of what could have been and one of my favorite overlooked albums of the âblog rock eraâ.
Bradâs song #1 sent to Jared: Kenny Rankin, âSpanish Harlem,â 2002
Jaredâs response: We stay in NYC for Kenny Rankinâs âSpanish Harlem.â First time listen, so thanks for that. Sensual and jazzy, muy bien. I dove into the rest of the album (Rankinâs last hurrah, as he passed away at 69 in 2009âŚthereâs that year again: when Harlem Shakes dropped their lone album and broke up) and got hooked on his take of Thelonious Monkâs âRound Midnight.â Smooth as silk, that one.
Bradâs rationale: Matching Jeremyâs Harlem Shakes group with Phil Spector and Jerry Leiberâs classic âSpanish Harlemâ (an original 1960 #10 hit for Ben E. King), as done by singer/guitarist/songwriter, Kenny Rankin, who also arranged, in case youâre as enchanted by those key changes as I.
This is from Rankinâs A Song For You album, produced by longtime veterans, Tommy LiPuma and Al Schmitt. The session players were unusually numerous, and worth checking out, with many well known jazz players present!
Jaredâs song #2: The Headhunters, âGod Make Me Funky,â 1975
Bradâs response: Herbie Hancockâs Headhunters, formed in 1973. This â75 album debut was on Arista Records, produced by Hancock and David Rubinson. Tough to find a connection between Jaredâs Headhunters track and the Rankin âSpanish Harlemâ cover.
Jaredâs rationale: Whenever I think of âSpanish Harlem,â for better or worse, my mind drifts to the ubiquitous-at-the-time, âMaria Maria,â from Santanaâs 18th album, Supernatural, released in 1999.
This track (above, featuring The Product G&B), which topped the Billboard Hot 100 for ten weeks, samples the drum beat from âGod Make Me Funkyâ (with The Pointer Sisters) by jazz fusion band, Herbie Hancockâs Headhunters in 1975, while the melody riff takes its cue from the Wu-Tang Clanâs âWu-Tang Clan Ainât Nuthing ta F*** Wit.â
Wyclef Jean was the mastermind behind the âMaria Mariaâ beat (and, he co-wrote the song with Jerry âWondaâ Duplessis, Carlos Santana, Karl Perazzo, and Raul Rekow); he was one of many to sample The Headhuntersâ head-nodding drum groove, a group that included The Roots, De La Soul, and Eric B. & Rakim.
Jared also recommends this live version of the song performed the same year (1975):
Bradâs song #2: Barry Manilow, âNew York City Rhythm,â 1975
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