Inside Tracks #23: Alice Cooper "I'm Eighteen"šSelect Covers & the Songs It Influenced
KISS, The Ramones, The Sex Pistols, Anthrax, Creed, Dokken, and more! A veritable All-Star lineup apparently conspires to mine all the "hard" from the rock mountain we call Alice!
Iām 15, and I Liked It!
I was 15 when I first heard āIām Eighteen.ā It was November 1970, and while hearing it on Houston radio, I also had the single, whose label loudly proclaimed its title to be, simply, āEighteen,ā with songwriting credit belonging to all five members:
Warner Bros. Records, corporate bean counters that they were (and owned at the time by Kinney Nationalā¦.you know, the shoe people), wanted to test the market waters to determine whether a band of guys named Alice Cooper could or would ever sell anything besides outrage.
Alice, in late 1970, had just started to adopt that feminine moniker, himself. For the couple of years he and his Alice Cooper band were signed to the Warner-distributed Straight/Bizarre label owned by the giddily-outrageous Frank Zappa (and his manager, Herb Cohen), commercial success had eluded them.
Interestingly, Zappaās labels had picked up UK distribution by CBS Records. Almost as interesting was the fact that Zappa grew weary of being a label exec, and sold his Straight/Bizarre to Warner Bros. The labelās resultant interest in sales figures understandably intensified now that Zappaās babies were direct corporate property.
Warner brass was certain it knew why sales were lean for the first two albums (just guess). So, rather than bludgeon a sensitive middle America with a full album by these guysā¦ā¦..

ā¦ā¦.they decided to dip their corporate vinyl toe to test the waters first with a single, called āIām Eighteenā (produced by Bob Ezrin and Jack Richardson), released on November 11, 1970. Failure, if it happened, could then be kept at a minimum.
It paid off: The single peaked at #21, thereby clearing the runway for an album aimed squarely for takeoff in the direction of those newly-primed AM-tuned housewives and 8-trackinā commuters. Enter Love it to Death in March ā71 (in U.S.; CBSās UK releases for single and album were concurrent in April ā71):

Related: Want more Love it to Death easy action? A Halloween deep-dive into another track:
To hear UKās FarOutMagazine tell it: āFor the third record,Ā Love It To Death, Zappaās focus lay elsewhere, and his label was being run almost entirely by Warner Bros. at this point. Alice Cooper would move on following the end of their three-album deal [with Zappa].
āIām Eighteenā Through the Ages
Wikipedia accumulated these facts on the song, and I have no reason to contradict āem: Rolling Stone included the song, in 2004, on its ā500 Greatest Songs of All Timeā list at #482, and at #487 in 2010. āIām Eighteenā was selected by the Rock and Roll Hall of Fame as one of āThe 500 Songs that Shaped Rock and Roll.ā
It was voted #38 in āDetroitās 100 Greatest Songs,ā a 2016 Detroit Free Press poll. The song ranked #39 on āVH1ās 40 Greatest Metal Songsā in 2006.
The groupās drummer, Neal Smith, told Songfacts: āIt was a song about growing up in the ā60s, with lines in it like you could go to war but you couldnāt vote [or, in many states, drink alcohol]. We had no idea it would become an anthem; we were just thinking it would be a cool song.
āWe were getting a lot of work in Ohio and Michigan,ā Smith continued. āWe were working and writing all the time [as the band lived together in a Cincinnati dorm house].
āWe had access to a club, and we rehearsed there if we werenāt playing a show. Mike Bruce (guitarist) had this idea for a song called āIām Eighteen.ā At first it was almost like a Pink Floyd kind of thing. Weād always been two guitars, bass, drums and the lead singer. Michael was well versed as a keyboard player, so we got a Farfisa organ and he wrote the song on that. The intro was kind of a melodic, haunting tune that built and built.
āThe first show we did after they started playing āIām Eighteenā was the Detroit Auto Show,ā Smith concluded. āIt was the big teen event of the year. It was the very first time we played a song where the crowd went crazy. Thatās what we were trying for the whole time!ā
The āIām Eighteenā Playlist
Playlist Cover #1: The Ejected, āFifteen,ā 1982
Busy mostly in the early ā80s, East Londoners, The Ejected, are described as being an English punk rock/Oi! band, by people who know about such things. Theyāve cited UK Subs, Cockney Rejects, Angelic Upstarts and The Clash as major influences, and recorded their cover under the āFifteenā title. Oy!
Apparently young (or wishing to appeal to a younger audience), they also sported songs titled, āYoung Tribes of England,ā and āEast End Kidsā on their A Touch of Class album, from whence their Coop cover came.
#2. The Pursuit of Happiness āIām an Adult Nowā
A bit of a thematic cheat, granted, but no less appropriate, this couldāve been the $200 answer in the Bands of Gold Category on the late Alex Trebekās Jeopardy: āYou might yell this after you blow out the candles on your 18th!ā DING! āWhat is, āIām an Adult Nowā, Alex?ā āCorrect! And, Todd Rundgren produced this Moe Berg song, did he not?ā āYes, thatās right, Alexā¦in 1988.ā āGood for you! You were the last correct questionerā¦you select!ā
#3. Alice Cooper, āIām Eighteen,ā 1970
#4. The Ramones āI Donāt Careā 1977
Lead singer, Joey Ramone, based his āI Donāt Careā on the chords of the main riff to āIām Eighteen.ā āI Donāt Careā appeared on the Ramonesā third album, Rocket to Russia, produced by Tony Bongiovi and Tommy Ramone.
Related: Couldnāt spend an evening in The Ramonesā hotel room in 1978? Discover what happened the night I did, here:
#5. Sex Pistols āSeventeenā 1977
Included on their only āofficialā album, Never Mind the Bollocks, Hereās the Sex Pistols (Warner Bros. Records in he U.S./Virgin, UK, produced by Chris Thomas and Bill Price), lead singer Johnny Rotten wrote āSeventeenā in response to āIām Eighteen.ā
He also, reportedly, auditioned for the Sex Pistols by singing along to that particular Alice Cooper song to Pistols manager, Malcolm McLaren.
Related: Personal encounters with Sid Vicious and Johnny while seeing the Sex Pistols in a Texas concert in 1978:
#6. Anthrax āIām Eighteenā 1984
From their 1984 Fistful of Metal album, and produced by Carl Canedy, Scott Ian and the lads were bound, at some point, to thrash out their Alice, in chains. Neil Turbin on vocals.
#7. Creed āIām Eighteenā 1999 (UK Limited Edition, Numbered, Colored Marbled Vinyl 45rpm Single)
Scott Stappās Creed take a whack at the Coop with their 1999 European release in various formats for various countries (Germany and UK-specific, and Europe). Recorded in Florida, the song also manages to find room on the 1998 Columbia/Sony Music soundtrack album to The Faculty motion picture.
#8. KISS āDreamināā 1998
Litigation takes center stage on this oneāāDreaminā,ā which appears on the 1998 KISS album, Psycho Circus. It apparently bore such a resemblance to āIām Eighteenā that a month after the albumās release, Cooperās publisher filed a plagiarism suit, and settled out of court in Aliceās favor.
#9. Don Dokken āIām Eighteenā 1998
Lead singer, Don Dokken, contributed this Alice tribute on the Dokken 1998 āunofficialā Rarities Outtakes Demos 3-CD compilation.
#10. Alice Cooper āIām Eighteenā Live From the Astroturf
From Record Store Day 2018, an astonishingly dizzying array of no fewer than 20 vinyl variations of different colors, limited inserts (like Astroturf from the stage), test pressings, numbering, picture labels, and more (see it all by clicking here). Itās enough to keep our good bud, Andy, at The Vinyl Room, busy for weeks! After a month, Andy, weāll send a search party (and several replacement styli)!
#11. Twinkle Twinkle Little Rock Star āIām Eighteenā April 16, 2021
Nighty night. For our final Playlist entry: The fine folks of the Twinkle Twinkle Little Rock Star foursome have been churning out lullaby versions of rock hits since 2010. And, of course, that means āIām Eighteen,ā too! Tuck me in?š§ø
No? Oh, yeahā¦Iām an adult now.


















Itās funny. I would have bet āeighteenā was on the exceptionally good Billion Dollar Babies album but it isnāt. It was on Love it to Death which I barely remember. Wow.
Iām so glad we didnāt follow Peteās childish desire,
ā Hope I die before I get old ā.
Peteās probably glad, too.
Keith Moon not so lucky.